- 3,409
- 1,020
- 144
Episode 14 posted.
Let me know — did it hit… or miss?

Let me know — did it hit… or miss?
Last edited:
Waah kya baat haiEpisode 8 —The first Crack
Arnav ko sabse pehle smell ne hit kiya.
Hospitals aur crime scenes ki smell same hoti hai — disinfectant, metallic air, aur ek ajeeb sa heaviness jo lungs ke andar baith jaata hai. Usne gloves pehne, mask adjust kiya, aur body ke paas jhuk gaya.
Female. Early thirties.
Wrist veins slit.
Blood loss severe.
Scene staged like suicide.
Par Arnav ko staged suicides pasand nahi the. Unmein honesty nahi hoti.
Room silent tha. Sirf forensic team ke shoes ki halki awaaz aur camera shutter clicks.
Victim ke bed ke side table par ek folded paper rakha tha.
Arnav ne gloves ke through use uthaya.
Handwriting neat thi. Too neat.
Sirf ek line likhi hui thi:
“Some people bloom only in darkness.”
Uska stomach tighten ho gaya.
Ye line… ye metaphor…
Ye exactly wahi phrase tha jo Anamika ne apni latest story collection ke launch pe casually drop kiya tha.
Us time Arnav ne notice nahi kiya tha.
Ab usse yaad aa raha tha.
Coincidence?
Usne paper evidence bag mein daala, par uska dimaag already bhaag raha tha.
Wall ke paas ek aur cheez thi.
Ek black ribbon.
Folded into a crude flower shape.
Arnav ka breath slow ho gaya.
Ye symbol bhi unfamiliar nahi tha.
Anamika ke ek viral story poster mein ye ribbon-flower featured tha.
Stylized.
Dark aesthetic.
Us moment Arnav ko apni spine mein thandi si current mehsoos hui.
Tu professional reh.
Bas pattern analyze kar.
Personal mat bana.
Usne deep breath li.
Victim ke nails clean the. No struggle marks. No forced entry.
Psychological suicide.
Kisi ne isko mentally push kiya tha.
Arnav ne apni tablet kholi, notes banaye:
— Phrase note found
— Symbolic object near body
— No physical coercion
Sab kuch technically clean tha.
Par uska mind clean nahi tha.
Usne apni colleague Rhea ko side mein bulaya.
“Ye phrase tumne pehle kahin suna hai?” Arnav ne casually poocha.
Rhea ne note dekha.
“Sounds poetic. Instagram type.”
Arnav ne halka sa nod kiya.
“Okay.”
Par andar kuch toot raha tha.
Lab mein wapas aake Arnav ne CCTV clips dekhe. Victim last two days se isolated thi. Phone records show kar rahe the frequent searches: dark stories, psychological endings, author interviews.
Ek naam baar-baar pop up ho raha tha.
Anamika.
Arnav ne screen band kar di.
Uska haath thoda shake kar raha tha.
Usne apna coffee mug uthaya, par pehla sip lene se pehle hi rakh diya.
Tu connect kar raha hai kyunki tu already triggered hai.
Proof ke bina kuch nahi.
Phir bhi…
Usne Anamika ka ek interview replay kar diya.
She sat calmly in a black blazer, legs crossed, heels sharp on marble floor.
Reporter ne poocha:
“Don’t you think your stories influence vulnerable minds?”
She smiled.
Not warm.
Controlled.
“I don’t influence people. I mirror them. If someone breaks after reading my work, they were already cracked.”
Arnav ka jaw clench ho gaya.
He replayed that line twice.
Victim ke search history mein wahi interview saved tha.
Same day.
Same hour.
Arnav ne apni chair peeche push ki aur khada ho gaya.
Usse achanak ek purani smell yaad aayi.
Disinfectant mixed with rain.
Hospital corridor.
White walls.
Ek blurred memory flash hui — kisi ke heels ki awaaz.
He shook his head.
Nahi.
Abhi nahi.
Usne apni file close ki.
Senior officer ne usse bulaya.
“Arnav, keep it objective. No speculative leaps.”
“Of course, sir.”
Usne professional smile diya.
Par andar woh already leap kar chuka tha.
Shaam ko jab woh parking lot mein jaa raha tha, uska phone vibrate hua.
Unknown number.
Message:
Interesting choice of metaphors today.
Arnav freeze ho gaya.
Usne screen stare ki.
Reply nahi kiya.
Second message aaya:
You look like someone who collects broken things.
Same line.
Wahi line jo Anamika ne publishing event mein kahi thi.
Uska heart rate spike kar gaya.
“Yeh sab kya hai…” usne under breath bola.
He typed:
“Who is this?”
Three dots appeared.
Then stopped.
Then new message:
Relax, forensic boy. I’m just observing.
Arnav ka throat dry ho gaya.
He stared around parking lot.
Log chal rahe the.
Cars move kar rahi thi.
Par usse laga jaise koi usse dekh raha ho.
He typed:
“Tumhe mera number kaise mila?”
Reply almost instant:
You work with evidence. So do I.
Uska stomach drop hua.
“Yeh coincidence nahi ho sakta,” woh khud se bola.
He took a risk.
“Kya tumhe pata hai aaj kya hua?”
Pause.
Then:
Yes.
Single word.
Arnav ne apni car unlock ki.
“Kya matlab yes?”
Reply aaya:
Some people don’t die because they want to. They die because they finally feel understood.
Usne steering wheel grip kar liya.
“Tum kis side pe ho?” Arnav ne likha.
Long pause.
Then:
Sides are for wars. I prefer games.
He swallowed.
“Kya tum jaanti ho victim ko?”
Message bubble appeared… disappeared… appeared again.
Finally:
No. But she knew me.
Arnav ne apni aankhen band kar li.
Ye answer logic follow nahi karta tha.
Par emotionally dangerous tha.
“Tumhari stories logon ko hurt kar rahi hain.”
Reply almost playful:
People hurt themselves. I just give them vocabulary.
Silence.
Then last message:
Your eyes really are familiar.
Arnav ne phone neeche rakh diya.
Uske dimaag mein sirf ek thought ghoom raha tha:
Ye mujhe pehle se jaanti hai.
Par kaise?
Us raat woh ghar jaake bhi Anamika ke interviews dekhta raha. Her pauses. Her micro-smiles. Her lack of apology.
He opened victim’s notebook photos again.
Same ribbon sketch.
Same dark metaphors.
Arnav ko realization hone lagi:
Ye sirf crime nahi hai.
Ye narrative hai.
Aur koi is narrative ko likh raha hai.
He could report the similarities.
He didn’t.
He saved them in his personal folder.
Aur wahi moment tha jab Arnav officially professional nahi raha.
Sirf curious bhi nahi.
Woh involved ho chuka tha.
Aur kahin door, kisi quiet balcony mein, Anamika wine glass haath mein pakde city lights dekh rahi thi.
Phone screen dark ho chuki thi.
She smiled softly.
Not victory.
Anticipation.
Because the game had finally begun.
stay tunned
next episode soon
To chaliye shuru karte hai...
Is update ko padhne ke baad ek baat to clear ho jaati hai — ye kahani simple nahi hai...
Starting se hi mood heavy ho jaata hai. Hospital aur crime scene ki smell ka description itna vivid hai ki bina bole hi scene dimag mein chhap sa jaata hai. Pace slow hai fir bhi kahin bhi bore feel nahi hota, kyunki har chhoti detail kuch hint chhod jaati hai kyu ki hamari writer Sahiba chahti hai ke ham bhi sochte rahe...
Ab Arnav babu pe aate hai to is update mein Arnav pehli baar investigator se zyada insaan lagta hai. Uski vulnerability forced nahi lagti, balki naturally emerge hoti hai. Jaise-jaise metaphors, ribbon aur Anamika ke words connect hote jaate hain, ham bhi wahi question khud se poochne lagta hai —
“Ye coincidence hai ya kuch aur?”
Ye doubt hamari lekhika ne bahut smartly hamare mind mein plant karti hai.
Aur hamari Beauty Anamika ko directly har scene mein laane ki zarurat hi nahi padti, phir bhi wo poore episode par dominate karti hai like my chidokali. Interviews aur text messages ke through uski presence bahut calm aur controlled hai ke bc dara deti hai. Wo na chillati hai, na khud ko justify karti hai — bas observe karti hai. Aur ye silence tumne bahut ache se weaponize kiya hai.
Text message sequence honestly episode ka strongest moment laga mujhe. Meri reading speed khud slow ho gayi, kyunki har message ke baad lagta tha ki agla line aur zyada unsettling hoga. “Forensic boy” aur “I just give them vocabulary” ye kuch ese dialogues hai jo mere dimag me chhap se gaye hai, ye psychological punches lagte hai.
Ending ek ajeeb si feeling chhod jaati hai — satisfaction nahi, anticipation. Jaise ye sirf ek murder case nahi, balki ek long psychological chess game ka pehla serious move ho. Ragvi yahan clearly batati hai ki ye story patience maangti hai, aur reward bhi wahi degi.
As a reader, mujhe sabse zyada impress ye baat karti hai ki Ragvi ki writing mujhe decide nahi karne de rahi ke galat kon hai. Ye moral discomfort hi is episode ki real strength hai.
Ye episode entertain kam, unsettle jyada karta hai — aur jesa tum likh rahi ho I think uske liye yehi sabse bada compliment banta hai.
Tumhara main moto yahi hai na ke story hamare dimag me utar jaaye aur I think tum sahi track pe ho
Next episode ka wait rahega.
Good luck bestie![]()

Ye bhi index me daal diya haiEpisode 8 —The first Crack
Arnav ko sabse pehle smell ne hit kiya.
Hospitals aur crime scenes ki smell same hoti hai — disinfectant, metallic air, aur ek ajeeb sa heaviness jo lungs ke andar baith jaata hai. Usne gloves pehne, mask adjust kiya, aur body ke paas jhuk gaya.
Female. Early thirties.
Wrist veins slit.
Blood loss severe.
Scene staged like suicide.
Par Arnav ko staged suicides pasand nahi the. Unmein honesty nahi hoti.
Room silent tha. Sirf forensic team ke shoes ki halki awaaz aur camera shutter clicks.
Victim ke bed ke side table par ek folded paper rakha tha.
Arnav ne gloves ke through use uthaya.
Handwriting neat thi. Too neat.
Sirf ek line likhi hui thi:
“Some people bloom only in darkness.”
Uska stomach tighten ho gaya.
Ye line… ye metaphor…
Ye exactly wahi phrase tha jo Anamika ne apni latest story collection ke launch pe casually drop kiya tha.
Us time Arnav ne notice nahi kiya tha.
Ab usse yaad aa raha tha.
Coincidence?
Usne paper evidence bag mein daala, par uska dimaag already bhaag raha tha.
Wall ke paas ek aur cheez thi.
Ek black ribbon.
Folded into a crude flower shape.
Arnav ka breath slow ho gaya.
Ye symbol bhi unfamiliar nahi tha.
Anamika ke ek viral story poster mein ye ribbon-flower featured tha.
Stylized.
Dark aesthetic.
Us moment Arnav ko apni spine mein thandi si current mehsoos hui.
Tu professional reh.
Bas pattern analyze kar.
Personal mat bana.
Usne deep breath li.
Victim ke nails clean the. No struggle marks. No forced entry.
Psychological suicide.
Kisi ne isko mentally push kiya tha.
Arnav ne apni tablet kholi, notes banaye:
— Phrase note found
— Symbolic object near body
— No physical coercion
Sab kuch technically clean tha.
Par uska mind clean nahi tha.
Usne apni colleague Rhea ko side mein bulaya.
“Ye phrase tumne pehle kahin suna hai?” Arnav ne casually poocha.
Rhea ne note dekha.
“Sounds poetic. Instagram type.”
Arnav ne halka sa nod kiya.
“Okay.”
Par andar kuch toot raha tha.
Lab mein wapas aake Arnav ne CCTV clips dekhe. Victim last two days se isolated thi. Phone records show kar rahe the frequent searches: dark stories, psychological endings, author interviews.
Ek naam baar-baar pop up ho raha tha.
Anamika.
Arnav ne screen band kar di.
Uska haath thoda shake kar raha tha.
Usne apna coffee mug uthaya, par pehla sip lene se pehle hi rakh diya.
Tu connect kar raha hai kyunki tu already triggered hai.
Proof ke bina kuch nahi.
Phir bhi…
Usne Anamika ka ek interview replay kar diya.
She sat calmly in a black blazer, legs crossed, heels sharp on marble floor.
Reporter ne poocha:
“Don’t you think your stories influence vulnerable minds?”
She smiled.
Not warm.
Controlled.
“I don’t influence people. I mirror them. If someone breaks after reading my work, they were already cracked.”
Arnav ka jaw clench ho gaya.
He replayed that line twice.
Victim ke search history mein wahi interview saved tha.
Same day.
Same hour.
Arnav ne apni chair peeche push ki aur khada ho gaya.
Usse achanak ek purani smell yaad aayi.
Disinfectant mixed with rain.
Hospital corridor.
White walls.
Ek blurred memory flash hui — kisi ke heels ki awaaz.
He shook his head.
Nahi.
Abhi nahi.
Usne apni file close ki.
Senior officer ne usse bulaya.
“Arnav, keep it objective. No speculative leaps.”
“Of course, sir.”
Usne professional smile diya.
Par andar woh already leap kar chuka tha.
Shaam ko jab woh parking lot mein jaa raha tha, uska phone vibrate hua.
Unknown number.
Message:
Interesting choice of metaphors today.
Arnav freeze ho gaya.
Usne screen stare ki.
Reply nahi kiya.
Second message aaya:
You look like someone who collects broken things.
Same line.
Wahi line jo Anamika ne publishing event mein kahi thi.
Uska heart rate spike kar gaya.
“Yeh sab kya hai…” usne under breath bola.
He typed:
“Who is this?”
Three dots appeared.
Then stopped.
Then new message:
Relax, forensic boy. I’m just observing.
Arnav ka throat dry ho gaya.
He stared around parking lot.
Log chal rahe the.
Cars move kar rahi thi.
Par usse laga jaise koi usse dekh raha ho.
He typed:
“Tumhe mera number kaise mila?”
Reply almost instant:
You work with evidence. So do I.
Uska stomach drop hua.
“Yeh coincidence nahi ho sakta,” woh khud se bola.
He took a risk.
“Kya tumhe pata hai aaj kya hua?”
Pause.
Then:
Yes.
Single word.
Arnav ne apni car unlock ki.
“Kya matlab yes?”
Reply aaya:
Some people don’t die because they want to. They die because they finally feel understood.
Usne steering wheel grip kar liya.
“Tum kis side pe ho?” Arnav ne likha.
Long pause.
Then:
Sides are for wars. I prefer games.
He swallowed.
“Kya tum jaanti ho victim ko?”
Message bubble appeared… disappeared… appeared again.
Finally:
No. But she knew me.
Arnav ne apni aankhen band kar li.
Ye answer logic follow nahi karta tha.
Par emotionally dangerous tha.
“Tumhari stories logon ko hurt kar rahi hain.”
Reply almost playful:
People hurt themselves. I just give them vocabulary.
Silence.
Then last message:
Your eyes really are familiar.
Arnav ne phone neeche rakh diya.
Uske dimaag mein sirf ek thought ghoom raha tha:
Ye mujhe pehle se jaanti hai.
Par kaise?
Us raat woh ghar jaake bhi Anamika ke interviews dekhta raha. Her pauses. Her micro-smiles. Her lack of apology.
He opened victim’s notebook photos again.
Same ribbon sketch.
Same dark metaphors.
Arnav ko realization hone lagi:
Ye sirf crime nahi hai.
Ye narrative hai.
Aur koi is narrative ko likh raha hai.
He could report the similarities.
He didn’t.
He saved them in his personal folder.
Aur wahi moment tha jab Arnav officially professional nahi raha.
Sirf curious bhi nahi.
Woh involved ho chuka tha.
Aur kahin door, kisi quiet balcony mein, Anamika wine glass haath mein pakde city lights dekh rahi thi.
Phone screen dark ho chuki thi.
She smiled softly.
Not victory.
Anticipation.
Because the game had finally begun.
stay tunned
next episode soon
Kaale khoon, jaisa naam waisa kaam kar rele ho kaThis is not a story, this is a magic that will freeze your mind...and when such a situation arises, it should be understood that the writer has succeeded in her purpose...brilliant dear
Well, Is update ke bare me zyada kya bolu...bas ye kah dena kafi hai ki pure update me anamika hi ghoomti rahi, usne na ho kar bhi apni presence ko clearly feel karwaya. Chahe text msgs se ho ya fir arnav ke dwara.
Ise coincidence hargiz nahi kah sakte, ye to observation, controlling and mind ka game hai...jisme na chahte huye bhi fasna hai.
Ufff...ye wo tha jisne kuch aisa feel karaya jaise kisi ne dimag me ghus kar tumse bola ho....hello dear i'm everywhere and you cannot escape from me...
Exactly....Wo Clean bold ho chuka hai
Ek aur shikaar final ho gaya. I mean ek aisa insaan jo aage victim banne wala hai
Log uski story read karte hain aur usme aisa doobte hain ki suicide hi kar lete hain...kya ye pre-planned murder hai?? Agar hai to kaise proof karoge??
Well, update was amazing as always, brilliant writing...Keep it up dear
Aisa sochna bhi mat dear....Aise subject par readers kam hi milenge. But apan jaise readers to hain na ju ke support me, so lagi raho....ye soch kar ki apne liye likh rahi ho![]()
Never mind, choice apni apni hoti.Mujhe pata tha ke ye aane wala hai![]()
enjoy karothanks a lotWaah kya baat haiawesome update again Raagvi, nicely updated
️
️
️
️
![]()
so nice of u thank youYe bhi index me daal diya hai
Nice start detailing is good farsh ke marble ko ginna
Expression ko batana
Remain updates b read karenge
Views to aa rahe hai na ?
Never mind
That's why I call her darling because she deserves it....
Ye baat![]()
next episode posted guysWaah kya baat haiawesome update again Raagvi, nicely updated
️
️
️
️
![]()
EPISODE 9-Inheritance of Silence
Arnav jab crime scene par pahuncha, toh pehle usse awaaz nahi aayi.
Sirf silence.
Building ke andar entry karte hi wahi familiar smell — disinfectant aur thandi tiles ki metallic thandak. Usne gloves pehne aur narrow staircase se upar chadha.
Second floor. Apartment 204.
Door already seal ho chuka tha.
Male victim. Late twenties.
Bathroom floor par baitha hua, back wall se tiki hui. Jaise kisi ne usse kaha ho — yahin ruk jao.
Wrist cuts shallow nahi the. Calculated the.
Blood drain ke paas settle ho chuka tha.
Par room disturb nahi tha.
No fight.
No chaos.
Sirf ek ajeeb sa order.
Arnav ne slow motion mein room scan kiya.
Mirror par black marker se likha hua tha:
She didn’t teach me to survive.
She taught me to disappear.
He stopped breathing for two seconds.
Ye line usne kahin nahi suni thi.
Ye Anamika ki kisi story ka hissa nahi thi.
Side table par wahi black ribbon rakhi thi.
Folded into a rough flower.
Same.
Rhea uske paas aayi.
“Sir… yeh ribbon pe fingerprints clean hain.”
Arnav ne nod kiya.
“Koi forced entry?”
“Nahi.”
He crouched.
Victim ke phone ko evidence bag mein daalte waqt uski nazar ek unread voicemail par padi.
“Play it,” Arnav ne bola.
Static.
Phir ek shaky male voice:
She said mothers know when daughters are lying… she said pain is inherited… she said I was chosen.
Room mein hawa ruk si gayi.
Arnav ne slow blink kiya.
“Replay.”
Same words.
“Mothers.”
“Pain is inherited.”
Ye phrases Anamika ke nahi the.
Ye kisi aur ke the.
Aur jisne bhi yeh kaha tha… uska emotional access victim tak deep tha.
Arnav straight khada ho gaya.
Uska instinct scream kar raha tha:
Third presence.
Yeh sirf writer effect nahi tha.
Yeh guided collapse tha.
News already viral ho chuki thi jab Anamika press meet mein enter hui.
Black blazer. High heels. Hair pulled back.
Same composure.
Same controlled posture.
Reporter chillaye:
“Is this another copycat inspired by your work?”
She leaned toward the mic.
“I don’t inspire actions. I expose impulses.”
Flashbulbs.
Another voice:
“Do you accept responsibility?”
She smiled faintly.
“Responsibility belongs to people who need permission.”
Phir Arnav ne poocha.
Direct.
“Victim ke voicemail mein ek line thi — pain is inherited. Kya yeh tumhari writing ka part hai?”
Her expression changed.
Not fear.
Interruption.
“No.”
Single word.
Clear.
Arnav ne notice kiya: she didn’t elaborate.
She stepped back.
Interview over.
Corridor mein woh dono ek dusre ke saamne khade the.
Anamika spoke first.
“You look like you’re carrying someone else’s silence.”
Arnav ne usse dekha.
“another victims. Same symbolism. Par yeh nayi lines tumhari nahi hain.”
She studied him.
“Then someone is borrowing my aesthetic.”
“Ya koi tumhari language seekh chuka hai.”
Her jaw tightened.
Half second.
“Language is easy to steal.”
“Intention nahi.”
Silence.
She finally said:
“You think someone is staging this around me.”
Arnav nodded.
“And tum disturb nahi ho?”
She shrugged.
“Disturbance implies surprise.”
She turned to leave.
Then paused.
“If someone is using my words,” she added, “they’ll get bored soon.”
He didn’t reply.
Par uske gut mein ajeeb sa heaviness baith chuki thi.
Raat ko lab mein Arnav ne dono victims ke data parallel open kiye.
Same age bracket.
Same psychological vulnerability markers.
Same search patterns.
Dark literature.
Author interviews.
Same online forums.
Par koi direct link nahi.
Bas proximity.
Echo.
Usne apni chair peeche ki.
Ye coincidence nahi tha.
Ye curated tha.
Phone vibrate hua.
Unknown number.
Message:
You’re getting closer.
Arnav froze.
He typed:
“Kaun ho tum?”
Reply:
Someone who watches.
Uska pulse spike hua.
“Kya tum yeh sab kar rahe ho?”
Three dots.
Then:
I don’t touch people. I place ideas.
He stared at the screen.
“Tum kya chahte ho?”
Long pause.
Then:
I want to see how far stories travel.
Arnav ne phone neeche rakh diya.
He stood up.
Window ke paas gaya.
City lights blink kar rahi thi.
Log apni zindagi jee rahe the.
Aur kahin koi narrative likh raha tha.
Anamika apne apartment mein wine pour kar rahi thi.
Glass half full.
Phone silent.
Uske dimaag mein voicemail ka ek line loop kar raha tha:
pain is inherited.
She hadn’t written that.
She knew that.
Difference mattered.
She balcony mein gayi.
She didn’t feel afraid.
She felt observed.
And for someone like her…
that was worse.
stay tuned
next episode soon