Subah ke 5.30 am ho gaye the aur ghar ka darwaza aaj bina kundi ke band tha. Salma ghar mein seedhi ghusi aur ghuste hi maa ko zameen par sote hue dekha. Maa ki khuli hui maxi, aur bahar aata ek boob aur uske upar Faheem ka (haath) aur uske haath ko neend mein hi apni chhati se dabaye hue maa so rahi thi. Salma ghar mein ghusi aur maa ke sir pe haath rakh ke kaha ki, "Didi utho, jaldi utho." Maa uth gayi aur jaise hi maa ne apni halat dekhi, wo sharminda ho gayi. Usne apni aankhein nahi mila rahi thi Salma se.
Salma ne maa ke saamne hi aaj kapde badle. Salma ka sharir poora thul-thula ho gaya tha, matlab bedhab se. Pet papite jaise, boobs jo ki bade the uske upar tennis ke ball ke jaise areola brown colour ka. Maa 38 ki thi aur Salma 40, par Salma ne sharab, cigarette aur dhande ke baad physical activity na karne ki wajah se apne sharir ko barbaad kar diya tha.
Faheem utha aur maa ko dekha aur kaha ki, "Ye maxi pehan kar paani mat bharne jao."
Maa ne sir jhuka ke haan kaha aur maa kahan dress change karti? Toh maa ke paas koi option nahi tha. Maa Faheem ke paas gayi, parda kiya aur bed ke paas khadi ho ke pehle maxi utaari. Maa ke 38 D ke kathor boobs aur unpe black colour ka nipple jo ki 1 Rs ke sikke ke jitna tha, bohot hi jach raha tha. Faheem ne haath badha ke unpe rakha. Maa sharma ke kaha ki paani bharna hai, aur Faheem ne halke se nipple ko nichoda. Maa ke muh se 'hmmm' ki chitkaar nikali. Phir maa ne Salma ka hi ek salwar-kurta pehna aur nikal gayi paani lene.
Aaj maa kal ke muqable jaldi-jaldi kar rahi thi. Maa ko dekh ke basti ki auratein bhi khush thi. Sab Salma ko chida rahi thi ki, "Kab de rahi hai choti begam khushkhabri?"
Salma: "Bohot jaldi hi. Is saal hi aapko pedha khane milega, kyun choti begam?" kehke maa ko kohni maari.
Main line mein 2 se 3 auraton ke peeche tha. Maine dekha maa ke chehre pe ek gussa nahi, ek ajeeb si sharm thi. Maa ne pallu ko daant se kheench ke chehra chhupana chaha. Maa ne aaj jaldi-jaldi paani bhara. Aaj maa bina kuch bole aise kaam kar rahi thi jaise maa inki kholi mein saalon se ho. Jaldi se chai rakhi aur maa ne aaj Meethi Dashmi banayi thi, Vidarbha special.
Maa ek stove pe chai aur ek stove pe dashmi sek rahi thi. Maa ne chai Faheem aur Salma ko di aur saath mein dashmi bhi nashte ke liye.
Salma ko aaj pehli baar aisa taza ghar ka bana nashta naseeb ho raha tha. Ek baat toh thi na, maa ke haath mein jadu tha. Saada-simple banati but special feel ho jata. Maa ne kuch dashmi pack ki aur ek plate nikal ke Aliya ko aawaz di aur Aliya aur Adi ke liye bhi bhej di.
Faheem ready ho gaya. Maa ne uske bina bole 6 dashmi paper mein pack ki aur uski taraf badhate hue badi narm aawaz mein kaha, "Aap dopahar mein bahar ka hi ulta-seedha khate ho. Ye dashmi lo aur dahi ke saath kha lena. Bahar ka mat khana."
Maa ke haath se paper mein lipti dashmi lete hue unke haath ek doosre se chhoo gaye. Faheem ne ek pal ke liye uski taraf dekha aur dono ke chehre par ek ajeeb si smile aa gayi.
Jahan Faheem ko ghar ka mard hone par jo maan aur izzat chahiye thi, wo mil rahi thi. Wahin doosri taraf, Maa ke andar ek ajeeb si dabi hui aurat khush ho rahi thi. Usne zindagi mein kabhi apne pati ko aise tiffin pack karke kaam par nahi bheja tha (Shekhar hamesha aakar khata tha aur dadi khana banati thi). Faheem ka wo gussa, uska haq jatana, uska authority dikhana... ye sab Maa ke liye ekdum naya aur thrilling experience tha. Kahin na kahin, use is theth, anpadh mard ki submission mein ek ajeeb sa maza aane laga tha.
[THE BATHING TERROR: GATAR KE KINARE KI MORI]
Faheem ke jaane ke baad Maa ko aaj thoda late ho gaya tha. Basti ki auratein paani bhar kar ja chuki thi, aur ab din ka ujala poori tarah phail chuka tha.
Aaj Maa ko pehli baar bahar ki 'Mori' (slum ka khula bathroom) mein nahana tha. Lokhandwala ke aalishan bathtub aur geyser se nikal kar, aaj use ek aisi jagah nahana tha jiske theek baaju se basti ka khula, kaala gatar (open drain) beh raha tha.
Maa haath mein balti, sabun aur kapde lekar mori mein ghusi. Wahan darwaza naam ki koi cheez nahi thi. Lohe ke ek patle se taar par ek fati hui, maili saree parde ki tarah latki hui thi. Hawa ka ek jhonka aata toh wo saree udne lagti. Upar aasmaan khula tha, aur aaju-baaju ki kholiyon ki chhatein (roofs) wahan se saaf dikh rahi thi.
Maa ka dil zoro se dhadak raha tha. Gatar ki wo bhayanak sandaand (badbu) uske naak mein ghus rahi thi. Usne darrte hue idhar-udhar dekha. Use lag raha tha jaise basti ka har mard us fati hui saree ke parde ke peeche se use ghoor raha hai.
Maa ne kaanpte haathon se apne kapde utaare. Poori tarah nangi hone ki uski himmat nahi hui. Usne turant apna petticoat (saya) apni 38 ki bhari hui chhati ke upar tak kheencha aur wahin kaskar baandh liya (jaise gaon ki auratein khule mein nahate waqt baandhti hain).
Thande paani ka pehla magga jaise hi usne apne kandhon par daala, wo bheege hue petticoat ka kapda uske jism se poori tarah chipak gaya. Uska bhara hua, gora jism us patle, bheege kapde ke aar-paar saaf jhalak raha tha.
Maa ne jaldi-jaldi sabun lagana shuru kiya. Uski nazrein baar-baar us saree ke parde par aur upar chhaton par ja rahi thi. 'Kahin koi wahan se jhaank toh nahi raha? Kahin parda ud toh nahi jayega?' Ye darr, ye lachaari aur public mein yun nange hone ka ehsaas uske liye kisi bhayanak torture se kam nahi tha.
Mori ke bahar hi khadi Salma ek chhed se maa ko nahaate hue dekh rahi thi. Maa ki 38 ki chhati aur bhara hua thos (firm) sharir dekh ke Salma dil hi dil mein khush ho rahi thi. 'Mera Faheem is jism ke aage poori tarah pagal ho jayega. Ab wo darinda mujhe pareshan nahi karega,' Salma ne muskurate hue socha aur wapas kholi mein chali gayi.
[THE TRANSFORMATION: BASTI MEIN AZAADI]
Maa jaldi se naha kar bheege petticoat mein hi kholi ke andar bhagi.
Salma raat ko bohot sharab pee ke aayi thi, toh Meethi Dashmi aur garm chai se use aur nasha chadh gaya tha aur wo bistar par besudh so gayi thi.
Kholi mein aate hi Maa ne sabse pehle darwaze ka parda theek kiya.
Bistar ke neeche rakha apna bag nikala. Aaj uske andar ka darr khatam ho raha tha, aur ek ajeeb si jawani (youth) jor maar rahi thi. Maa ne Nilesh (Nilya) ki di hui wo khubsoorat Hare (Green) rang ki Paithani saree nikali.
Usne Salma ke purane aaine (mirror) ke saamne khade hokar wo paithani saree pehni. Saree ka kapda itna mulayam tha ki uske har ek curve ko ekdum perfectly dhaanp raha tha. Phir usne chandi ki wo chamakti hui Payal apne pairo mein pehni.
Jaise hi usne aaine mein khud ko dekha, wo khud dang reh gayi. Ek anpadh slum ki biwi ya ek sakht police wali nahi... aaine mein aaj wahi 19 saal ki college ki ladki khadi thi, jiske liye ek aashiq station par intezaar kar raha tha. Kehte hain na, heere ko kitne bhi ghane andhere (gatar ya slum) mein rakh do, wo chamkega hi.
Tabhi Aliya wahan aayi. Maa ka wo saatvik, chamakta hua aur khubsoorat roop dekh ke IPS Aliya bhi ek pal ke liye dang reh gayi.
"Chalein?" Maa ne payal ki chham-chham aawaz ke saath pucha.
Aliya ne hosh mein aate hue muskurakar sir hilaya. Dono nikal pade VT Station ke liye, jahan Nilya apni is 'Pari' ka besabri se intezaar kar raha tha.
[THE ESCAPE: 10:00 AM - VICTORIA TERMINUS (VT STATION)]
Maa ne ghar se nikalte waqt apne liye pack kiye hue kuch Meethi Dashmi ke tukde bag mein rakh liye the. Local train ki bheed aur basti ki ghutan se nikalte-nikalte, Maa lagbhag 30 minute late VT Station pohochi.
Station ke bahar bhid mein bhagte hue wo usi vada-pav ki dukan ke paas aakar khadi ho gayi jahan Nilya ne milne ko kaha tha.
Wahin door khada Nilesh, us paithani saree mein aati hui Angha ko bas dekhta hi reh gaya. Wo ekdum apsara lag rahi thi. Uske saamne toh chand bhi paani bhare, aisi bala ki khubsoorat aur masoom lag rahi thi.
Nilesh dheere se chalkar uske paas aaya aur gusse ka natak karne laga.
Maa jaldi se uske paas aayi aur masoomiyat se maafi maangne lagi, "Arre mujhe maaf kar do na. Ghar ka kaam khatam karke aane mein late ho gaya."
Nilesh ne apni muskaan chhupate hue thodi sakhti se kaha, "Bas ek hi shart pe maaf karunga."
Maa ne turant kaha, "Teri har ek shart mujhe manzoor hai."
Nilesh: "Jaogi meri marzi se. Chalega?"
Maa ne thoda soch kar, darrte hue kaha, "Chalega... par 6 baje se pehle. Mujhe ghar mein aur bhi kaam hote hain."
Nilesh ne zidd pakad li, "Nahi, jaane ka time main jo bolunga wahi hoga."
Maa ne haar maante hue halke se sir hila diya, "Theek hai."
[THE PARSI CAFE: EK MITHI MULAKAT]
Nilesh, Maa ko VT Station ke paas hi ek purane, khubsoorat Parsi restaurant mein le gaya. Usne Maa ke liye chai aur unka famous Mawa Cake order kiya.
Tabhi Maa ne apne purse se ek chhota sa tiffin box nikala aur Dashmi aage badha kar boli, "Tere liye laayi hoon."
Nilesh ne pehla tukda khaya aur bas khata hi reh gaya. Usne thodi hairani se kaha, "Ye toh... mere gaon jaisa swaad lag raha hai."
Maa ne pucha, "Matlab... tum bhi Vidarbha, Nagpur side se ho?"
Nilesh ne dheere se sir hilaya, "Ji haan, main bhi wahin ka hoon."
Maa: "Phir ye Bambai mein kaise aana hua?"
Nilesh ki aankhon mein ek pal ke liye andhera chha gaya. "Arre lambi story hai... chalo kahin aur baithte hain."
Dono wahan se nikle. Bahar nikalte hi kone ke phool wale se Nilesh ne ek khubsoorat, mehakta hua mogre ka gajra kharida aur Maa ki taraf badhaya.
Maa ne gajra hath mein lene ki bajaye, apna sir halke se jhukaya aur apne jooday (hair bun) par ek thapki di. Maano bina kuch kahe wo use haq de rahi ho ki 'Tu hi pehna de'.
Nilesh sunn pad gaya. Usne apne kaanpte haathon se wo gajra Maa ke baalon mein lagaya. Jin haathon se na jaane kitni goliyan chal chuki thi, kisi ki jaan lete waqt jo haath kabhi nahi kaanpe... aaj kisi stree ke baalon mein gajra pehnate waqt wo haath buri tarah kaanp rahe the.
[THE GATEWAY OF INDIA: KHOYI HUI JAWANI]
Wahan se dono ne ek taxi li aur seedha Gateway of India pahunche. Samandar ki un vishal lehron ko dekh kar Maa dang reh gayi. Wo bas khuli aankhon se dekhti hi rahi. Samandar ki azaadi dekh kar uske andar ki choti bacchi jag gayi. Usne darr aur excitement mein Nilesh ka haath pakda aur apne seene se chipka liya. Nilesh ka dil zor se dhadakne laga, uski khushi ka koi thikana nahi tha.
Nilesh ne ek motor-boat rent par li aur dono samandar ke andar ghoomne nikal gaye. Boat ki raftar aur hawa se Maa ka pallu ud raha tha. Use bada hi maza aa raha tha. Wo baar-baar paani mein haath daal rahi thi aur chhitein (splashes) uda kar Nilesh ko tang kar rahi thi. Nilesh bhi bachon ki tarah paani uda kar uske upar fek raha tha.
Un kuch lamhon ke liye Nilesh poori tarah bhool gaya tha ki wo Bombai ka sabse bada contract killer hai, aur Maa bhool gayi thi ki wo ek constable aur ek darinde ki shikaar hai. Un dono ke beech us waqt sirf ek theth, befikr azaadi thi.
[THE AFTERNOON: RANI BAUG AUR EK HI PLATE]
Kinare par aane ke baad Nilesh ne kaha, "Ab chalo... Rani Baug chalte hain."
Maa aur Nilesh dono Byculla ke Rani Baug (Zoo) gaye. Alag-alag janwar dekh kar Maa sach mein kisi bacche ki tarah khush ho rahi thi.
Dopahar ke 3 baj chuke the. Maa aur Nilesh ne Rani Baug ke bahar ek chote se hotel mein lunch kiya. Ek hi plate mein dono ne Pav Bhaji khayi, ek dusre ka jhootha juice ka glass share kiya, aur saste coffee shop mein ghanto baatein ki.
Nagpur mein badi gaadiyon aur AC Bunglow mein rehne wali Archana ke liye aaj ye sasti Mumbai aur Nilesh ka ye masoom pyaar duniya ki sabse badi daulat ban gaya tha. Aaj sach mein usne wo sab paa liya tha, jo 18 saal ki umar mein (accident aur shadi ke baad) usne hamesha ke liye kho diya tha.
---
**[THE STOLEN MOMENTS: 'ABHI MUJH MEIN KAHIN...']**
Rani Baug ke us saste se restaurant mein, Archana Nilesh ke saath ek hi plate mein Pav Bhaji kha rahi thi. Uski poori zindagi ki thakan, wo ghutan bhari basti, Faheem ka thappad—sab kuch in kuch palon ke liye gayab ho chuka tha.
Uska mann baar-baar ek hi geet gunguna raha tha aur chahta tha ki ye pal kabhi uski zindagi se na jaayein...
*अभी मुझ में कहीं..* *बाकी थोड़ी सी है जिन्दगी..* *जागी धड़कन नई..* *जाना ज़िन्दा हूं मैं तो अभी..* *कुछ ऐसी लगन इस लम्हे में है..* *ये लम्हा कहाँ था मेरा..* *अभी है सामने.. इसे छु लूं ज़रा..* Archana jab nilesh ka zhootha paav aur zhoote chamach se kha rahi thi, tabhi unke theek peeche se ek aawaz aayi.
*(Haan, Aliya ka masterplan ab execute hone wala tha).*
"Maa? Aap yahan? Aur ye... ye kaun hain?"
Aawaz sunte hi Archana ke chehre ki hawaaiyan ud gayin. Uski saansein ruk gayin. Usne ghabrakar peeche dekha toh wahan Adi khada tha. Archana samajh nahi pa rahi thi ki kya bole, uske gale se aawaz hi nahi nikal rahi thi.
Tabhi Adi ke theek peeche se ek ladki saamne aayi. Ye Aditi thi.
Aditi ek typical cosmopolitan SoBo (South Bombay) girl thi. Uske culture mein dating, affairs, aur doston ka saath ghoomna bohot aam baat thi. Usne aate hi Nilesh ko dekha—neeli aankhein, sharp jawline aur ek theth mardana roop.
Phir usne Archana ki us khubsoorat green paithani saree aur uske masoom chehre ko dekha. Aditi ekdum bindass tareeke se boli, *"Wow Aunty! Aap aur aapke 'dost' bohot hi jach rahe ho ek saath. Nice couple!"*
Nilesh buri tarah awkward aur sharminda ho gaya tha. Par Aditi kahan rukne wali thi. Usne aage badh kar un dono ki taraf haath badhaya aur apna introduction diya.
"Hi! Main Aditi Mehta hoon. Mere papa stock trader hain aur mom home maker. Aur aap?"
Nilesh ne hadbada kar usse haath milaya, "Hi... main Nilesh hoon. Ek chemical factory mein as a manager kaam karta hoon." *(Ye uska cover tha).*
Ye sunte hi Archana ki dabi hui hasi chhoot gayi. Aditi ne turant Archana ko aankh maari, *"Oh, come on Angha! Sharmane ki zaroorat nahi hai."*
Ye sunte hi Maa (Archana) aur Nilesh dono shocked reh gaye! Nilesh hairan tha ki ye ladki Archana ko uske naam se kaise bula sakti hai, aur Archana hairan thi ki is ladki ko uska **cover name (Angha)** kaise pata chala?
Phir Aditi ne chhedte hue poocha, *"Kaisi rahi aapki first date? Boliye boliye Nilesh ji."*
Archana ne gusse mein table ke neeche se Adi ke paav par paav maara, ishara karte hue ki *'Is paagal aurat ko chup kara!'* Par Adi bhi apni maa ki aisi halat ka maza le raha tha.
Nilesh ne sharmane ki poori koshish karte hue kaha, *"Achhi rahi abhi tak toh."* Aditi ne thoda jhuk kar Nilesh ke kaan mein fusfusaya (par aawaz itni tez thi ki Angha ko sunai de jaye), *"Kuch aage badhe ki nahi?"*
Maa ne turant sharam aur gusse se uthte hue kaha, *"Ab humein nikalna chahiye, late ho raha hai."*
Par tabhi Adi ne aage badh kar Nilesh se kaha, *"Nilesh , kyun na Chowpatty chalien? Mausam bohot achha hai."* Aditi bhi force karne lagi.
**[THE DOUBLE DATE: CHOWPATTY BEACH]**
Aakhir kar chaaron Chowpatty nikal gaye. Nilya aur Aditi aage-aage chal rahe the, aur Archana aur Adi unke theek peeche.
Jaise hi thoda faasla hua, Adi ne dheere se apni maa ke kaan mein kaha, *"Maa, daro mat. Mujhe Aliya aunty ne sab bata diya hai. Main yahan aapka cover bachane aur aapki madad karne hi aaya hoon."*
Ye sunte hi Archana ke dil se jaise manno bojh halka ho gaya. Uske chehre par ek shararati muskaan aa gayi. *"Par beta... ye jo aage chalti-firti aag ki dukan (Aditi) ja rahi hai, iska kya karega? Ye toh sab bak degi Andheri wale flat aur baaki sab ke baare mein!"*
Adi muskuraya, *"Nahi maa. Ise bas itna maloom hai ki main hostel mein rehta hoon aur aap apne kuch doston ke saath Bambai ghoomne aayi ho. Baaki isne Aliya aunty ki di hui script hi padi hai."*
Chaaron Girgaon Chowpatty ki ret par, do alag-alag couples ki tarah baith gaye. Doobte hue suraj ko dekhte hue Aditi bohot khush thi, kyunki uske strict maa-baap use Bambai ke is side kabhi aane nahi dete the. Aaj Adi ki wajah se wo yahan aayi thi.
Wahin doosri taraf, Archana ne apni poori college life mein kabhi aisa friend-circle, couples ka ek saath ghoomna aur ye befikri mehsoos nahi ki thi. Use Aditi bohot achhi lagi thi. 'Kya daringbaaz ladki hai! Direct mere muh pe Angha bol rahi hai. Ek baar mission khatam ho aur ye meri asli bahu bane, phir batati hoon is Aditi ki bacchi ko!' Archana ne man hi man socha.
**[THE SUNSET KISS: DABI HUI HAWAS AUR PYAAR]**
Archana ne darrte hue apna ek haath Nilesh ke haath ke upar rakha hua tha. Aditi ne ye dekha toh Adi ko ishaara kiya. "Chalo, wahan pattharon ke paas ek jagah hai," bol kar Aditi ne Adi ka haath pakda aur dono andhere pattharon (tetrapods) ke peeche chale gaye.
Aditi aur Adi ek jagah, aur unse kuch door andhere mein Nilesh aur Archana.
Samandar ki leharon ki aawaz aur wo doobta hua suraj. Pata hi nahi chala ki kab Archana aur Nilesh ke hoth aapas mein jud gaye. Dono ne pehle bohot slow, aur phir ek behad passionate kiss kiya. Ye kiss kareeban 10 minute tak chala.
Wahin doosri taraf Adi aur Aditi ka bhi passionate kiss chal raha tha. Par baar-baar Aditi ke pager par kisi ka message aa raha tha, toh use uthna pada. Usne jaan-boojh kar zor se Adi se kaha, "Chalo Adi, chalte hain!" (Ye ek ishaara tha taaki Angha aur Nilesh alert ho jayein).
Par wahan andhere mein Nilesh aur Angha ek kadam aage badh chuke the. Unka kiss ab smooching mein badal chuka tha, aur Nilesh dabe haathon se saree aur blouse ke upar se hi Archana ke 38 size ke bhare hue boobs ko zor-zor se daba raha tha. Angha ki saansein phool rahi thi.
Aawaz sunte hi Angha turant khadi hui, apni saree theek ki aur pallu ko sahi karte hue bahar aa gayi.
**[THE RETURN: BACK TO HELL]**
Chaaron wahan se nikle. Pehle unhone Aditi ko uske ghar ke paas chhoda. Phir Nilesh, Adi aur Archana taxi mein nikle. Nilesh Ghatkopar utar gaya, aur Archana aur Adi aage Thane ki taraf badh gaye.
Taxi mein Archana bohot sharminda thi. Uski aankhon se baar-baar aansu beh rahe the ki mission ke chakkar mein wo aaj sach mein Nilesh ki baahon mein behak gayi thi.
Jaise hi dono maa-bete basti ki us kholi ke paas pahunche, samne ka nazara dekh kar Archana ki rooh kaanp gayi.
Salma gusse se darwaze par khadi unka wait kar rahi thi, aur andar Faheem daru pee raha tha. Archana ne tens hokar dheere se Adi se kaha, *"Beta, apne gusse par control karna, theek hai?"*
Par jaise hi dono aage badhe, peeche ki kholi se Aliya bahar aa gayi aur zor se, basti walon ko sunate hue boli:
*"Aa gaye maa-bete college se? Jaldi aa gaye, nahi toh in local trainon mein bohot baar late ho jata hai!"*
Ye Aliya ka ek dum perfect Master-stroke tha!
Aliya ne ye poora plan banaya tha taaki:
1. Faheem aur Salma Archana ki is nayi (green paithani) saree aur uske late aane par koi bawaal (lafda) na karein. Aliya ne sabke saamne ye cover bana diya ki Archana apne bete (Adi) se milne college gayi thi.
2. Sabse bada fayda: Archana ko Nilesh ka address nahi maloom tha. Toh Aliya ne is double-date ka plan banaya taaki Adi, Nilesh ke saamne as a 'bridge' establish ho jaye. Kal ko agar Nilesh ko Angha se wapas milna ho, toh wo bina kisi shaq ke Adi ke college aa sakta hai. Is tarah se Nilesh ko asani se track kiya ja sakega, aur uske zariye Anwar Hatela aur Guru Satam tak pohochna asaan ho jayega.
3. Aur agar basti mein Faheem ya Salma kabhi Adi aur Aditi,angha,nilesh ko saath ghoomte dekh bhi lein, toh unhe koi shaq nahi hoga kyunki cover story clear hai.
**[THE TRAP IS SET]**
Aliya ki is line ke baad Salma aur Faheem apna gussa pee gaye. Faheem ka male ego shant ho gaya, use laga Archana apne bete se milne hi gayi hogi.
"Beta, mujhe bol deta, main apni taxi mein le aata, kyun dhakke khaye?" Faheem ne thoda dikhawa karte hue kaha.
Adi ne ekdum innocent smile ke saath jawab diya, *"Uncle, haan next time aapko aur Salma aunty ko bhi pakka le jaunga."*
Salma thoda jhijhakte hue boli, *"Haan, kyun nahi. Aao ghar mein baitho."*
Salma ne sabke liye chai banai aur sabne milkar chai pi.
Chai peene ke baad, Aliya apne is naye pyaade (Adi) ko apne saath apni kholi mein le gayi. Usne kundi lagai aur toote hue plywood ke ek chhote se chhed ki taraf ishara karte hue Adi se dheemi aawaz mein boli:
*"Chal Aditya ... ab chupchaap is chhed se dekh ki Faheem ka next action kya hota hai teri maa ke saath..."*
[THE TRAP IS SET: SALMA KI CHAAL]
Kholi ke andar aate hi Faheem ne sasti santra (daru) ki botal khol li thi. Aaj usne lagataar teen-chaar peg bina paani ke gale ke neeche utaar liye the. Daru andar jaate hi uske andar ka shaitan poori tarah se jaag gaya tha. Uski laal, hawaasi aankhein Angha (Archana) ki us chamakti hui green Paithani saree aur uske bhare hue jism par gadi hui thi.
Salma zameen par baithi beedi pee rahi thi. Ek tajarbegaar (experienced) aurat hone ke naate, wo Faheem ki un bhookhi nazron ko theek se padh sakti thi. Wo jaanti thi ki Faheem ab bekaboo hone wala hai.
Salma ne beedi bujhayi aur uthte hue ekdum shatir, theth aawaz mein boli, "Ae didi... ye mehengi sadi pehan ke kholi ka kachara (kaam) nako kar, kharab ho jayegi. Ja, jaake apni wo dheeli aali gaun (maxi) pehan le."
Angha ne darrte hue sir hilaya.
Tabhi Salma darwaze ki taraf badhi, "Main zara baaju aali tapri se gutkha aur machis leke aati hoon." Jaise hi Salma bahar nikli, Angha ko ek aisi aawaz sunai di jisne uski rooh tak kaanpne par majboor kar diya.
"Khatt!" Salma ne bahar se darwaze ki kundi (lock) laga di thi! Kholi ke andar ab sirf ek darinda tha, aur uski shikaar.
[THE FORCED CHANGE: BEBASI KA NAGA NACH]
Faheem ne Angha ko zor se apne seene se chipka liya. Uski daru aur sasti beedi ki gandi badbu Angha ke naak mein ghus rahi thi. Uska paseene se bhara, bhari jism uske upar daba raha tha. Angha ka 'mahine ka din' (periods) chal raha tha… Faheem andar kuch nahi kar sakta tha, par upar-upar se hi uski hawas ko poora karne ka plan uske nashe mein ubal raha tha.
Faheem (Angha ke kaan mein gandi, nashe bhari awaaz mein, zor se gaali dete hue): "Kisse parda kar rahi hai aae badi gaand aali chhinaal? Bahar se kundi lag gaya hai, ab is kholi mein sirf tu aur main… aur tera ye naram, bhara hua maal! Sadi tera Faheem bhai utaarega... aur naya kapda bhi main hi pehnayega... dekh aaj kaisa kachaakach maza leta hoon teri in badi-badi chhaatiyon ko daba ke... tere is raand jism ko nochne mein…”
Angha ki saansein ruk gayi. Uski aankhein fati reh gayi. Ek Constable aur Karate champion hone ke naate, woh ek second mein Faheem ki nali (gala) tod sakti thi, par maqsad (mission) aur us ‘6 din ke kapde’ (periods) Usne sirf apne honth kaat liye aur kuch nahi bola.
Faheem ne apne mote, gande haathon se Angha ki Paithani saree ka pallu pakda. Ek dheere, lekin zor ke jhatke mein pallu khinch gaya… saree ka aanchal uske bhare hue uroj (boobs) par se fisalte hue zameen par gir gaya. Ab Angha sirf blouse aur petticoat mein khadi thi. Faheem ki laal aankhein ubal gayi. Usne blouse ke hooks ko berahmi se ek-ek karke kholna shuru kiya… har hook khulte hi Angha ki gori, bhari hui chhaati thoda-thoda bahar aane lagi.
Blouse poora khul gaya… dono hisse ekdum nange, ubhre hue, aur unki kalli nok (nipples) pehle se hi thodi akdi hui thi. Faheem ne dono haath se unko pakad liya… pehle dheere se masla… phir poori taqat se… ungliyan un kaali nokon ko noch rahi thi, ghuma rahi thi. Angha ke muh se ek dheemi siski nikal gayi – dard aur beizzati ka mix.
Faheem (hansi ke saath, aur gandi gaaliyan dete hue): "Kya gajab maal hai re tu... kitni thos aur gori chhaati hai teri. Mahina (periods) chalu hai phir bhi itni akdi hui hain... le saali, main hi pehnaunga ab tujhe naye kapde... ye poora maal ab sirf mere lund ke liye hai... choosunga, kaatunga, jhapad maarunga… tu aaj se meri kamar ke upar ki aakhiri randi ban gayi hai!"
Usne Angha ko ghuma diya… ab uski peeth uske seene se lagi hui thi. Faheem ne rassi se wo patli, cotton ki maxi utari. Pehle usne apne haathon se Angha ke nange jism ko peeche se pakda… chhaati ko zor se dabaate hue… unko upar-neeche hilate hue… jaise doodh nikal raha ho. Phir usne maxi ko Angha ke sar par se daala… dheere-dheere neeche khisakaya… maxi ka patla kapda uske nange jism par se guzra… aur poore badan par gir gaya.
Maxi itni patli aur dheeli thi ki andar kuch na pehanne ki wajah se Angha ki dono nok (nipples) poori tarah ubhar aayi thi – kapde ke upar se saaf dikh rahi thi. Faheem ne peeche se Angha ko pakad ke apne upar kheench liya… ab Angha uske saamne let gayi bed par.
Faheem uske upar chadh gaya. Uska khada hatheyaar maxi ke upar se hi Angha ke pet par zor-zor se ragad raha tha… garam, mota… andar daale bina hi bahar se r रगड़ (friction) le raha tha. Uska muh Angha ki chhaati par jhuka… pehle ek taraf jeebh se chaata… garam saans chhodi… phir zor se muh mein bhar liya… choosne laga… daant se kaatne laga… apni thook se poora kapda geela kar diya. Doosri taraf haath se masal raha tha… noch raha tha… phir dono uroj (boobs) ke beech apna hatheyaar rakh ke zor-zor se aage-peeche karne laga – kapde ke upar se hi.
Angha ki saansein phool rahi thi. Uski jagah mahine ke dard se halki si bheegi thi, par woh kuch nahi kar sakti thi. Faheem ne Angha ka haath pakad ke apne lund par rakh diya… "Haath se hila… apne naye mard ka … feel kar… kitna garam hai … kitna mota hai… teri wajah se khada hai yeh… hila raand, jaldi hila… warna teri is gori chamdi ko aur zor se kaat khaunga!"
Angha ke haath kaanp rahe the… par usne haath hilaya… upar-neeche… Faheem ke hatheyaar ko maxi ke upar se ragadne lagi. Faheem ki saansein tez ho gayin… usne Angha ke dono hisson ko ek saath pakda… unko zor se dabaate hue… kaali nokon ko muh mein leke choosne laga… kabhi daant se kaatata… kabhi zor se jhapad maarta… aur non-stop gandi gaaliyan: "Tera poora badan kal se mera… aaj sirf upar ka maal… le… le meri raand… mahine mein bhi tera poora jism mere liye hai… kal se teri asli jagah bhi meri hogi… le saali, aur zor se hila mera lund!"
5-6 minute tak yahi ganda khel chalta raha – choosna, kaatna, masalna, haath se hilwana, aur kapde ke upar se nanga naach. Maxi ab thook, paseena aur paani se poori tarah geeli aur chipchipi ho chuki thi. Angha ka jism laal ho gaya tha… kapde ke upar se hi Faheem ke daanton ke nishan the.
Aakhir mein Faheem ka jism akad gaya. Usne Angha ki dono chhaatiyon ko ek saath pakda… unke beech apna lund rakha… zor-zor se ragda… aur ek lambi, gandi cheekh ke saath… "Le raand… le meri chhinaal… poora paani le apne oopar!" … garm, gaadha, safed maal… Angha ki dono chhaatiyon par… maxi ke upar… uske gale tak… poora chhod diya. Thook aur us safed maal ka jhol Angha ke jism se tapak raha tha… uski maxi ab bilkul gandi aur geeli thi.
Faheem nashe mein seedha let gaya… aur kharaate maarne laga.
Angha leti rahi… uske jism par Faheem ka garm maal tapak raha tha… aankhon santushti ke ansu the Ek izzatdaar Constable hone ka guroor aaj is sasti kholi mein toot chuka tha... aur uski jagah ek ajeeb se, kaale nashe ne le li thi.
Zindagi bhar ek seedhe-saade mard ke saath rehne ke baad, Faheem ka ye theth, janwaro jaisa haq jatana—uske andar ki ek aisi aurat ko jaga chuka tha, jise usne saalon se daba kar rakha tha. Uska chehra ab patthar jaisa sakht nahi tha; uski saansein darr se nahi, balki ek ajeeb se thrill se tez chal rahi thi.
Usne dheere se apna kaanpta hua haath uthaya aur apni gori chhaati par Faheem ke chhode hue us garm beez par apni ungliyan pheri. Uski aankhein nashe mein aadhi band ho gayin. Usne un geeli ungliyon ko dheere se apne honthon se lagaya... aur ek pal ke liye us mardangi ke swaad ko mehsoos kiya. Uski baaki bachi-kuchi sharam bhi aaj hamesha ke liye dafan ho gayi thi. Uske hothon par ek bekhauf, shatir aur dabi hui hawas wali muskaan aa gayi.
Aaj deewar ke is paar, Faheem ke gande bistar par, ek nayi Angha paida ho chuki thi.
[BEHIND THE WALL: ]
Wahin doosri taraf... us toote hue plywood ke chhed (hole) ke theek peeche Adi ki saansein ruki hui thi.
Usne apni maa ko us darinde ke haathon is buri tarah zaleel hote, smooch hote aur nange hote dekha tha. Uski aankhein fati hui thi aur saansein dhoakni (bellow) ki tarah chal rahi thi. Ek taraf uska khoon khaul raha tha, par doosri taraf Aliya ka diya hua wo 'Dark aditya' wala zeher uske dimaag aur jism mein aag laga raha tha.
Aliya theek uske peeche khadi thi. Usne apna jism Adi ki peeth se sataya hua tha. Uske haath Adi ki t-shirt ke andar ghus kar uske seene ko sehla rahe the.
Adi chhed se aankh hataye bina, kaanpti aawaz mein fusfusaya, "Aliya... usne... usne maa ki saree utaar di... wo maa ko... chhu raha hai..."
Aliya ne uske kaan ke earlobe ko halke se daant se kata aur garam saans chhodte hue boli:
"Dekh Adi... theek se dekh. Teri Angha maa kisi aur mard ke haathon khilona ban rahi hai... aur tu yahan mere paas apni aag bujhane ke liye khada hai. Yahi tera sach hai... ab tu hamesha ke liye is andhere ka hissa ban chuka hai."
Adi ka lund uski pant faadne ko taiyaar tha. Deewar ke us paar Archana ki aatma chhalni ho rahi thi, aur is paar uska beta poori tarah se ek andhi, dark fantasy mein tabdeel (transform) ho chuka tha
.
usne Aliya ne Adi ki pant khol di… 7-inch lund bahar nikaala… aur dheere se muh mein le liya. Pura dheere , deep , laar bhara blowjob – gale tak… 8-9 second tak andar rakh ke… throat ke andar lund ko dabaati… phir bahar… uski jeebh niche se balls tak chat rahi thi.
Aliya (lund muh mein liye, garam saans chhodte hue, upar dekhte hue, Adi ko aur gandi gaaliyan sunate hue): “Dekh mera aditya… teri Angha maa… periods ke dusre din bhi… Faheem ke lund ko haath se sehla rahi thi… uske choochon par maal le rahi thi… maxi pehnte waqt bhi uske haath mein thi… aur tu yahan… teri maa ki dost ke gale mein… pura lund… kitna tight hai … kitna garam… kitna tasty tera lund dekh ke… mmmhh… tu bhi apni maa ki tarah samaprpit ban gaya hai na? Teri Angha chut ki rani… aur tu mera chooche chusne wala aditya… le… le mera muh… jhad ja saale… apni maa ke boobs par maal dekh ke jhad ja!”
Adi (baal pakad ke, kaampte hue, chhed se aankh nahi hata pa raha): “Aliya… maa… usne… maa ke boobs par… ohhh fuck… itna maal… aur aap… aap itna deep… main… main nahi rok pa raha…”
Aliya ne speed badha di – ab tez, wet, sloppy… laar tapak rahi thi… gale tak… uski aankhein Adi ki aankhon mein… jaise keh rahi ho – “Tu dekh… aur main tujhe chusungi… yahi tera naya pyar hai…”
Adi ka jism akad gaya… “Aliya… maa… Angha maa… uske choochon par… ohhhhh…” Ek lambi, gehri cheekh dabate hue… Adi ka pura maal Aliya ke gale mein… zor-zor se… woh pura pi gayi… ek bhi boond waste nahi… phir bhi lund muh mein liye dheere se chusti rahi… saaf karti rahi.
Aliya upar chadh aayi… Adi ke muh mein apna cum-laar bhara, gehra kiss kiya… aur kaan mein fusfusayi:
“Ab tu poora mera hai… teri maa Faheem ke maal se nangi leti hai… aur tu yahan mere muh mein jhadta hai… yeh raat sirf shuruaat thi… kal aur gehra hoga, mera pyara aditya-beta.”
Adi thak kar let gaya… par uske chehre par wohi andhera, gehra sukoon tha.
Salma ne maa ke saamne hi aaj kapde badle. Salma ka sharir poora thul-thula ho gaya tha, matlab bedhab se. Pet papite jaise, boobs jo ki bade the uske upar tennis ke ball ke jaise areola brown colour ka. Maa 38 ki thi aur Salma 40, par Salma ne sharab, cigarette aur dhande ke baad physical activity na karne ki wajah se apne sharir ko barbaad kar diya tha.
Faheem utha aur maa ko dekha aur kaha ki, "Ye maxi pehan kar paani mat bharne jao."
Maa ne sir jhuka ke haan kaha aur maa kahan dress change karti? Toh maa ke paas koi option nahi tha. Maa Faheem ke paas gayi, parda kiya aur bed ke paas khadi ho ke pehle maxi utaari. Maa ke 38 D ke kathor boobs aur unpe black colour ka nipple jo ki 1 Rs ke sikke ke jitna tha, bohot hi jach raha tha. Faheem ne haath badha ke unpe rakha. Maa sharma ke kaha ki paani bharna hai, aur Faheem ne halke se nipple ko nichoda. Maa ke muh se 'hmmm' ki chitkaar nikali. Phir maa ne Salma ka hi ek salwar-kurta pehna aur nikal gayi paani lene.
Aaj maa kal ke muqable jaldi-jaldi kar rahi thi. Maa ko dekh ke basti ki auratein bhi khush thi. Sab Salma ko chida rahi thi ki, "Kab de rahi hai choti begam khushkhabri?"
Salma: "Bohot jaldi hi. Is saal hi aapko pedha khane milega, kyun choti begam?" kehke maa ko kohni maari.
Main line mein 2 se 3 auraton ke peeche tha. Maine dekha maa ke chehre pe ek gussa nahi, ek ajeeb si sharm thi. Maa ne pallu ko daant se kheench ke chehra chhupana chaha. Maa ne aaj jaldi-jaldi paani bhara. Aaj maa bina kuch bole aise kaam kar rahi thi jaise maa inki kholi mein saalon se ho. Jaldi se chai rakhi aur maa ne aaj Meethi Dashmi banayi thi, Vidarbha special.
Maa ek stove pe chai aur ek stove pe dashmi sek rahi thi. Maa ne chai Faheem aur Salma ko di aur saath mein dashmi bhi nashte ke liye.
Salma ko aaj pehli baar aisa taza ghar ka bana nashta naseeb ho raha tha. Ek baat toh thi na, maa ke haath mein jadu tha. Saada-simple banati but special feel ho jata. Maa ne kuch dashmi pack ki aur ek plate nikal ke Aliya ko aawaz di aur Aliya aur Adi ke liye bhi bhej di.
Faheem ready ho gaya. Maa ne uske bina bole 6 dashmi paper mein pack ki aur uski taraf badhate hue badi narm aawaz mein kaha, "Aap dopahar mein bahar ka hi ulta-seedha khate ho. Ye dashmi lo aur dahi ke saath kha lena. Bahar ka mat khana."
Maa ke haath se paper mein lipti dashmi lete hue unke haath ek doosre se chhoo gaye. Faheem ne ek pal ke liye uski taraf dekha aur dono ke chehre par ek ajeeb si smile aa gayi.
Jahan Faheem ko ghar ka mard hone par jo maan aur izzat chahiye thi, wo mil rahi thi. Wahin doosri taraf, Maa ke andar ek ajeeb si dabi hui aurat khush ho rahi thi. Usne zindagi mein kabhi apne pati ko aise tiffin pack karke kaam par nahi bheja tha (Shekhar hamesha aakar khata tha aur dadi khana banati thi). Faheem ka wo gussa, uska haq jatana, uska authority dikhana... ye sab Maa ke liye ekdum naya aur thrilling experience tha. Kahin na kahin, use is theth, anpadh mard ki submission mein ek ajeeb sa maza aane laga tha.
[THE BATHING TERROR: GATAR KE KINARE KI MORI]
Faheem ke jaane ke baad Maa ko aaj thoda late ho gaya tha. Basti ki auratein paani bhar kar ja chuki thi, aur ab din ka ujala poori tarah phail chuka tha.
Aaj Maa ko pehli baar bahar ki 'Mori' (slum ka khula bathroom) mein nahana tha. Lokhandwala ke aalishan bathtub aur geyser se nikal kar, aaj use ek aisi jagah nahana tha jiske theek baaju se basti ka khula, kaala gatar (open drain) beh raha tha.
Maa haath mein balti, sabun aur kapde lekar mori mein ghusi. Wahan darwaza naam ki koi cheez nahi thi. Lohe ke ek patle se taar par ek fati hui, maili saree parde ki tarah latki hui thi. Hawa ka ek jhonka aata toh wo saree udne lagti. Upar aasmaan khula tha, aur aaju-baaju ki kholiyon ki chhatein (roofs) wahan se saaf dikh rahi thi.
Maa ka dil zoro se dhadak raha tha. Gatar ki wo bhayanak sandaand (badbu) uske naak mein ghus rahi thi. Usne darrte hue idhar-udhar dekha. Use lag raha tha jaise basti ka har mard us fati hui saree ke parde ke peeche se use ghoor raha hai.
Maa ne kaanpte haathon se apne kapde utaare. Poori tarah nangi hone ki uski himmat nahi hui. Usne turant apna petticoat (saya) apni 38 ki bhari hui chhati ke upar tak kheencha aur wahin kaskar baandh liya (jaise gaon ki auratein khule mein nahate waqt baandhti hain).
Thande paani ka pehla magga jaise hi usne apne kandhon par daala, wo bheege hue petticoat ka kapda uske jism se poori tarah chipak gaya. Uska bhara hua, gora jism us patle, bheege kapde ke aar-paar saaf jhalak raha tha.
Maa ne jaldi-jaldi sabun lagana shuru kiya. Uski nazrein baar-baar us saree ke parde par aur upar chhaton par ja rahi thi. 'Kahin koi wahan se jhaank toh nahi raha? Kahin parda ud toh nahi jayega?' Ye darr, ye lachaari aur public mein yun nange hone ka ehsaas uske liye kisi bhayanak torture se kam nahi tha.
Mori ke bahar hi khadi Salma ek chhed se maa ko nahaate hue dekh rahi thi. Maa ki 38 ki chhati aur bhara hua thos (firm) sharir dekh ke Salma dil hi dil mein khush ho rahi thi. 'Mera Faheem is jism ke aage poori tarah pagal ho jayega. Ab wo darinda mujhe pareshan nahi karega,' Salma ne muskurate hue socha aur wapas kholi mein chali gayi.
[THE TRANSFORMATION: BASTI MEIN AZAADI]
Maa jaldi se naha kar bheege petticoat mein hi kholi ke andar bhagi.
Salma raat ko bohot sharab pee ke aayi thi, toh Meethi Dashmi aur garm chai se use aur nasha chadh gaya tha aur wo bistar par besudh so gayi thi.
Kholi mein aate hi Maa ne sabse pehle darwaze ka parda theek kiya.
Bistar ke neeche rakha apna bag nikala. Aaj uske andar ka darr khatam ho raha tha, aur ek ajeeb si jawani (youth) jor maar rahi thi. Maa ne Nilesh (Nilya) ki di hui wo khubsoorat Hare (Green) rang ki Paithani saree nikali.
Usne Salma ke purane aaine (mirror) ke saamne khade hokar wo paithani saree pehni. Saree ka kapda itna mulayam tha ki uske har ek curve ko ekdum perfectly dhaanp raha tha. Phir usne chandi ki wo chamakti hui Payal apne pairo mein pehni.
Jaise hi usne aaine mein khud ko dekha, wo khud dang reh gayi. Ek anpadh slum ki biwi ya ek sakht police wali nahi... aaine mein aaj wahi 19 saal ki college ki ladki khadi thi, jiske liye ek aashiq station par intezaar kar raha tha. Kehte hain na, heere ko kitne bhi ghane andhere (gatar ya slum) mein rakh do, wo chamkega hi.
Tabhi Aliya wahan aayi. Maa ka wo saatvik, chamakta hua aur khubsoorat roop dekh ke IPS Aliya bhi ek pal ke liye dang reh gayi.
"Chalein?" Maa ne payal ki chham-chham aawaz ke saath pucha.
Aliya ne hosh mein aate hue muskurakar sir hilaya. Dono nikal pade VT Station ke liye, jahan Nilya apni is 'Pari' ka besabri se intezaar kar raha tha.
[THE ESCAPE: 10:00 AM - VICTORIA TERMINUS (VT STATION)]
Maa ne ghar se nikalte waqt apne liye pack kiye hue kuch Meethi Dashmi ke tukde bag mein rakh liye the. Local train ki bheed aur basti ki ghutan se nikalte-nikalte, Maa lagbhag 30 minute late VT Station pohochi.
Station ke bahar bhid mein bhagte hue wo usi vada-pav ki dukan ke paas aakar khadi ho gayi jahan Nilya ne milne ko kaha tha.
Wahin door khada Nilesh, us paithani saree mein aati hui Angha ko bas dekhta hi reh gaya. Wo ekdum apsara lag rahi thi. Uske saamne toh chand bhi paani bhare, aisi bala ki khubsoorat aur masoom lag rahi thi.
Nilesh dheere se chalkar uske paas aaya aur gusse ka natak karne laga.
Maa jaldi se uske paas aayi aur masoomiyat se maafi maangne lagi, "Arre mujhe maaf kar do na. Ghar ka kaam khatam karke aane mein late ho gaya."
Nilesh ne apni muskaan chhupate hue thodi sakhti se kaha, "Bas ek hi shart pe maaf karunga."
Maa ne turant kaha, "Teri har ek shart mujhe manzoor hai."
Nilesh: "Jaogi meri marzi se. Chalega?"
Maa ne thoda soch kar, darrte hue kaha, "Chalega... par 6 baje se pehle. Mujhe ghar mein aur bhi kaam hote hain."
Nilesh ne zidd pakad li, "Nahi, jaane ka time main jo bolunga wahi hoga."
Maa ne haar maante hue halke se sir hila diya, "Theek hai."
[THE PARSI CAFE: EK MITHI MULAKAT]
Nilesh, Maa ko VT Station ke paas hi ek purane, khubsoorat Parsi restaurant mein le gaya. Usne Maa ke liye chai aur unka famous Mawa Cake order kiya.
Tabhi Maa ne apne purse se ek chhota sa tiffin box nikala aur Dashmi aage badha kar boli, "Tere liye laayi hoon."
Nilesh ne pehla tukda khaya aur bas khata hi reh gaya. Usne thodi hairani se kaha, "Ye toh... mere gaon jaisa swaad lag raha hai."
Maa ne pucha, "Matlab... tum bhi Vidarbha, Nagpur side se ho?"
Nilesh ne dheere se sir hilaya, "Ji haan, main bhi wahin ka hoon."
Maa: "Phir ye Bambai mein kaise aana hua?"
Nilesh ki aankhon mein ek pal ke liye andhera chha gaya. "Arre lambi story hai... chalo kahin aur baithte hain."
Dono wahan se nikle. Bahar nikalte hi kone ke phool wale se Nilesh ne ek khubsoorat, mehakta hua mogre ka gajra kharida aur Maa ki taraf badhaya.
Maa ne gajra hath mein lene ki bajaye, apna sir halke se jhukaya aur apne jooday (hair bun) par ek thapki di. Maano bina kuch kahe wo use haq de rahi ho ki 'Tu hi pehna de'.
Nilesh sunn pad gaya. Usne apne kaanpte haathon se wo gajra Maa ke baalon mein lagaya. Jin haathon se na jaane kitni goliyan chal chuki thi, kisi ki jaan lete waqt jo haath kabhi nahi kaanpe... aaj kisi stree ke baalon mein gajra pehnate waqt wo haath buri tarah kaanp rahe the.
[THE GATEWAY OF INDIA: KHOYI HUI JAWANI]
Wahan se dono ne ek taxi li aur seedha Gateway of India pahunche. Samandar ki un vishal lehron ko dekh kar Maa dang reh gayi. Wo bas khuli aankhon se dekhti hi rahi. Samandar ki azaadi dekh kar uske andar ki choti bacchi jag gayi. Usne darr aur excitement mein Nilesh ka haath pakda aur apne seene se chipka liya. Nilesh ka dil zor se dhadakne laga, uski khushi ka koi thikana nahi tha.
Nilesh ne ek motor-boat rent par li aur dono samandar ke andar ghoomne nikal gaye. Boat ki raftar aur hawa se Maa ka pallu ud raha tha. Use bada hi maza aa raha tha. Wo baar-baar paani mein haath daal rahi thi aur chhitein (splashes) uda kar Nilesh ko tang kar rahi thi. Nilesh bhi bachon ki tarah paani uda kar uske upar fek raha tha.
Un kuch lamhon ke liye Nilesh poori tarah bhool gaya tha ki wo Bombai ka sabse bada contract killer hai, aur Maa bhool gayi thi ki wo ek constable aur ek darinde ki shikaar hai. Un dono ke beech us waqt sirf ek theth, befikr azaadi thi.
[THE AFTERNOON: RANI BAUG AUR EK HI PLATE]
Kinare par aane ke baad Nilesh ne kaha, "Ab chalo... Rani Baug chalte hain."
Maa aur Nilesh dono Byculla ke Rani Baug (Zoo) gaye. Alag-alag janwar dekh kar Maa sach mein kisi bacche ki tarah khush ho rahi thi.
Dopahar ke 3 baj chuke the. Maa aur Nilesh ne Rani Baug ke bahar ek chote se hotel mein lunch kiya. Ek hi plate mein dono ne Pav Bhaji khayi, ek dusre ka jhootha juice ka glass share kiya, aur saste coffee shop mein ghanto baatein ki.
Nagpur mein badi gaadiyon aur AC Bunglow mein rehne wali Archana ke liye aaj ye sasti Mumbai aur Nilesh ka ye masoom pyaar duniya ki sabse badi daulat ban gaya tha. Aaj sach mein usne wo sab paa liya tha, jo 18 saal ki umar mein (accident aur shadi ke baad) usne hamesha ke liye kho diya tha.
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**[THE STOLEN MOMENTS: 'ABHI MUJH MEIN KAHIN...']**
Rani Baug ke us saste se restaurant mein, Archana Nilesh ke saath ek hi plate mein Pav Bhaji kha rahi thi. Uski poori zindagi ki thakan, wo ghutan bhari basti, Faheem ka thappad—sab kuch in kuch palon ke liye gayab ho chuka tha.
Uska mann baar-baar ek hi geet gunguna raha tha aur chahta tha ki ye pal kabhi uski zindagi se na jaayein...
*अभी मुझ में कहीं..* *बाकी थोड़ी सी है जिन्दगी..* *जागी धड़कन नई..* *जाना ज़िन्दा हूं मैं तो अभी..* *कुछ ऐसी लगन इस लम्हे में है..* *ये लम्हा कहाँ था मेरा..* *अभी है सामने.. इसे छु लूं ज़रा..* Archana jab nilesh ka zhootha paav aur zhoote chamach se kha rahi thi, tabhi unke theek peeche se ek aawaz aayi.
*(Haan, Aliya ka masterplan ab execute hone wala tha).*
"Maa? Aap yahan? Aur ye... ye kaun hain?"
Aawaz sunte hi Archana ke chehre ki hawaaiyan ud gayin. Uski saansein ruk gayin. Usne ghabrakar peeche dekha toh wahan Adi khada tha. Archana samajh nahi pa rahi thi ki kya bole, uske gale se aawaz hi nahi nikal rahi thi.
Tabhi Adi ke theek peeche se ek ladki saamne aayi. Ye Aditi thi.
Aditi ek typical cosmopolitan SoBo (South Bombay) girl thi. Uske culture mein dating, affairs, aur doston ka saath ghoomna bohot aam baat thi. Usne aate hi Nilesh ko dekha—neeli aankhein, sharp jawline aur ek theth mardana roop.
Phir usne Archana ki us khubsoorat green paithani saree aur uske masoom chehre ko dekha. Aditi ekdum bindass tareeke se boli, *"Wow Aunty! Aap aur aapke 'dost' bohot hi jach rahe ho ek saath. Nice couple!"*
Nilesh buri tarah awkward aur sharminda ho gaya tha. Par Aditi kahan rukne wali thi. Usne aage badh kar un dono ki taraf haath badhaya aur apna introduction diya.
"Hi! Main Aditi Mehta hoon. Mere papa stock trader hain aur mom home maker. Aur aap?"
Nilesh ne hadbada kar usse haath milaya, "Hi... main Nilesh hoon. Ek chemical factory mein as a manager kaam karta hoon." *(Ye uska cover tha).*
Ye sunte hi Archana ki dabi hui hasi chhoot gayi. Aditi ne turant Archana ko aankh maari, *"Oh, come on Angha! Sharmane ki zaroorat nahi hai."*
Ye sunte hi Maa (Archana) aur Nilesh dono shocked reh gaye! Nilesh hairan tha ki ye ladki Archana ko uske naam se kaise bula sakti hai, aur Archana hairan thi ki is ladki ko uska **cover name (Angha)** kaise pata chala?
Phir Aditi ne chhedte hue poocha, *"Kaisi rahi aapki first date? Boliye boliye Nilesh ji."*
Archana ne gusse mein table ke neeche se Adi ke paav par paav maara, ishara karte hue ki *'Is paagal aurat ko chup kara!'* Par Adi bhi apni maa ki aisi halat ka maza le raha tha.
Nilesh ne sharmane ki poori koshish karte hue kaha, *"Achhi rahi abhi tak toh."* Aditi ne thoda jhuk kar Nilesh ke kaan mein fusfusaya (par aawaz itni tez thi ki Angha ko sunai de jaye), *"Kuch aage badhe ki nahi?"*
Maa ne turant sharam aur gusse se uthte hue kaha, *"Ab humein nikalna chahiye, late ho raha hai."*
Par tabhi Adi ne aage badh kar Nilesh se kaha, *"Nilesh , kyun na Chowpatty chalien? Mausam bohot achha hai."* Aditi bhi force karne lagi.
**[THE DOUBLE DATE: CHOWPATTY BEACH]**
Aakhir kar chaaron Chowpatty nikal gaye. Nilya aur Aditi aage-aage chal rahe the, aur Archana aur Adi unke theek peeche.
Jaise hi thoda faasla hua, Adi ne dheere se apni maa ke kaan mein kaha, *"Maa, daro mat. Mujhe Aliya aunty ne sab bata diya hai. Main yahan aapka cover bachane aur aapki madad karne hi aaya hoon."*
Ye sunte hi Archana ke dil se jaise manno bojh halka ho gaya. Uske chehre par ek shararati muskaan aa gayi. *"Par beta... ye jo aage chalti-firti aag ki dukan (Aditi) ja rahi hai, iska kya karega? Ye toh sab bak degi Andheri wale flat aur baaki sab ke baare mein!"*
Adi muskuraya, *"Nahi maa. Ise bas itna maloom hai ki main hostel mein rehta hoon aur aap apne kuch doston ke saath Bambai ghoomne aayi ho. Baaki isne Aliya aunty ki di hui script hi padi hai."*
Chaaron Girgaon Chowpatty ki ret par, do alag-alag couples ki tarah baith gaye. Doobte hue suraj ko dekhte hue Aditi bohot khush thi, kyunki uske strict maa-baap use Bambai ke is side kabhi aane nahi dete the. Aaj Adi ki wajah se wo yahan aayi thi.
Wahin doosri taraf, Archana ne apni poori college life mein kabhi aisa friend-circle, couples ka ek saath ghoomna aur ye befikri mehsoos nahi ki thi. Use Aditi bohot achhi lagi thi. 'Kya daringbaaz ladki hai! Direct mere muh pe Angha bol rahi hai. Ek baar mission khatam ho aur ye meri asli bahu bane, phir batati hoon is Aditi ki bacchi ko!' Archana ne man hi man socha.
**[THE SUNSET KISS: DABI HUI HAWAS AUR PYAAR]**
Archana ne darrte hue apna ek haath Nilesh ke haath ke upar rakha hua tha. Aditi ne ye dekha toh Adi ko ishaara kiya. "Chalo, wahan pattharon ke paas ek jagah hai," bol kar Aditi ne Adi ka haath pakda aur dono andhere pattharon (tetrapods) ke peeche chale gaye.
Aditi aur Adi ek jagah, aur unse kuch door andhere mein Nilesh aur Archana.
Samandar ki leharon ki aawaz aur wo doobta hua suraj. Pata hi nahi chala ki kab Archana aur Nilesh ke hoth aapas mein jud gaye. Dono ne pehle bohot slow, aur phir ek behad passionate kiss kiya. Ye kiss kareeban 10 minute tak chala.
Wahin doosri taraf Adi aur Aditi ka bhi passionate kiss chal raha tha. Par baar-baar Aditi ke pager par kisi ka message aa raha tha, toh use uthna pada. Usne jaan-boojh kar zor se Adi se kaha, "Chalo Adi, chalte hain!" (Ye ek ishaara tha taaki Angha aur Nilesh alert ho jayein).
Par wahan andhere mein Nilesh aur Angha ek kadam aage badh chuke the. Unka kiss ab smooching mein badal chuka tha, aur Nilesh dabe haathon se saree aur blouse ke upar se hi Archana ke 38 size ke bhare hue boobs ko zor-zor se daba raha tha. Angha ki saansein phool rahi thi.
Aawaz sunte hi Angha turant khadi hui, apni saree theek ki aur pallu ko sahi karte hue bahar aa gayi.
**[THE RETURN: BACK TO HELL]**
Chaaron wahan se nikle. Pehle unhone Aditi ko uske ghar ke paas chhoda. Phir Nilesh, Adi aur Archana taxi mein nikle. Nilesh Ghatkopar utar gaya, aur Archana aur Adi aage Thane ki taraf badh gaye.
Taxi mein Archana bohot sharminda thi. Uski aankhon se baar-baar aansu beh rahe the ki mission ke chakkar mein wo aaj sach mein Nilesh ki baahon mein behak gayi thi.
Jaise hi dono maa-bete basti ki us kholi ke paas pahunche, samne ka nazara dekh kar Archana ki rooh kaanp gayi.
Salma gusse se darwaze par khadi unka wait kar rahi thi, aur andar Faheem daru pee raha tha. Archana ne tens hokar dheere se Adi se kaha, *"Beta, apne gusse par control karna, theek hai?"*
Par jaise hi dono aage badhe, peeche ki kholi se Aliya bahar aa gayi aur zor se, basti walon ko sunate hue boli:
*"Aa gaye maa-bete college se? Jaldi aa gaye, nahi toh in local trainon mein bohot baar late ho jata hai!"*
Ye Aliya ka ek dum perfect Master-stroke tha!
Aliya ne ye poora plan banaya tha taaki:
1. Faheem aur Salma Archana ki is nayi (green paithani) saree aur uske late aane par koi bawaal (lafda) na karein. Aliya ne sabke saamne ye cover bana diya ki Archana apne bete (Adi) se milne college gayi thi.
2. Sabse bada fayda: Archana ko Nilesh ka address nahi maloom tha. Toh Aliya ne is double-date ka plan banaya taaki Adi, Nilesh ke saamne as a 'bridge' establish ho jaye. Kal ko agar Nilesh ko Angha se wapas milna ho, toh wo bina kisi shaq ke Adi ke college aa sakta hai. Is tarah se Nilesh ko asani se track kiya ja sakega, aur uske zariye Anwar Hatela aur Guru Satam tak pohochna asaan ho jayega.
3. Aur agar basti mein Faheem ya Salma kabhi Adi aur Aditi,angha,nilesh ko saath ghoomte dekh bhi lein, toh unhe koi shaq nahi hoga kyunki cover story clear hai.
**[THE TRAP IS SET]**
Aliya ki is line ke baad Salma aur Faheem apna gussa pee gaye. Faheem ka male ego shant ho gaya, use laga Archana apne bete se milne hi gayi hogi.
"Beta, mujhe bol deta, main apni taxi mein le aata, kyun dhakke khaye?" Faheem ne thoda dikhawa karte hue kaha.
Adi ne ekdum innocent smile ke saath jawab diya, *"Uncle, haan next time aapko aur Salma aunty ko bhi pakka le jaunga."*
Salma thoda jhijhakte hue boli, *"Haan, kyun nahi. Aao ghar mein baitho."*
Salma ne sabke liye chai banai aur sabne milkar chai pi.
Chai peene ke baad, Aliya apne is naye pyaade (Adi) ko apne saath apni kholi mein le gayi. Usne kundi lagai aur toote hue plywood ke ek chhote se chhed ki taraf ishara karte hue Adi se dheemi aawaz mein boli:
*"Chal Aditya ... ab chupchaap is chhed se dekh ki Faheem ka next action kya hota hai teri maa ke saath..."*
[THE TRAP IS SET: SALMA KI CHAAL]
Kholi ke andar aate hi Faheem ne sasti santra (daru) ki botal khol li thi. Aaj usne lagataar teen-chaar peg bina paani ke gale ke neeche utaar liye the. Daru andar jaate hi uske andar ka shaitan poori tarah se jaag gaya tha. Uski laal, hawaasi aankhein Angha (Archana) ki us chamakti hui green Paithani saree aur uske bhare hue jism par gadi hui thi.
Salma zameen par baithi beedi pee rahi thi. Ek tajarbegaar (experienced) aurat hone ke naate, wo Faheem ki un bhookhi nazron ko theek se padh sakti thi. Wo jaanti thi ki Faheem ab bekaboo hone wala hai.
Salma ne beedi bujhayi aur uthte hue ekdum shatir, theth aawaz mein boli, "Ae didi... ye mehengi sadi pehan ke kholi ka kachara (kaam) nako kar, kharab ho jayegi. Ja, jaake apni wo dheeli aali gaun (maxi) pehan le."
Angha ne darrte hue sir hilaya.
Tabhi Salma darwaze ki taraf badhi, "Main zara baaju aali tapri se gutkha aur machis leke aati hoon." Jaise hi Salma bahar nikli, Angha ko ek aisi aawaz sunai di jisne uski rooh tak kaanpne par majboor kar diya.
"Khatt!" Salma ne bahar se darwaze ki kundi (lock) laga di thi! Kholi ke andar ab sirf ek darinda tha, aur uski shikaar.
[THE FORCED CHANGE: BEBASI KA NAGA NACH]
Faheem ne Angha ko zor se apne seene se chipka liya. Uski daru aur sasti beedi ki gandi badbu Angha ke naak mein ghus rahi thi. Uska paseene se bhara, bhari jism uske upar daba raha tha. Angha ka 'mahine ka din' (periods) chal raha tha… Faheem andar kuch nahi kar sakta tha, par upar-upar se hi uski hawas ko poora karne ka plan uske nashe mein ubal raha tha.
Faheem (Angha ke kaan mein gandi, nashe bhari awaaz mein, zor se gaali dete hue): "Kisse parda kar rahi hai aae badi gaand aali chhinaal? Bahar se kundi lag gaya hai, ab is kholi mein sirf tu aur main… aur tera ye naram, bhara hua maal! Sadi tera Faheem bhai utaarega... aur naya kapda bhi main hi pehnayega... dekh aaj kaisa kachaakach maza leta hoon teri in badi-badi chhaatiyon ko daba ke... tere is raand jism ko nochne mein…”
Angha ki saansein ruk gayi. Uski aankhein fati reh gayi. Ek Constable aur Karate champion hone ke naate, woh ek second mein Faheem ki nali (gala) tod sakti thi, par maqsad (mission) aur us ‘6 din ke kapde’ (periods) Usne sirf apne honth kaat liye aur kuch nahi bola.
Faheem ne apne mote, gande haathon se Angha ki Paithani saree ka pallu pakda. Ek dheere, lekin zor ke jhatke mein pallu khinch gaya… saree ka aanchal uske bhare hue uroj (boobs) par se fisalte hue zameen par gir gaya. Ab Angha sirf blouse aur petticoat mein khadi thi. Faheem ki laal aankhein ubal gayi. Usne blouse ke hooks ko berahmi se ek-ek karke kholna shuru kiya… har hook khulte hi Angha ki gori, bhari hui chhaati thoda-thoda bahar aane lagi.
Blouse poora khul gaya… dono hisse ekdum nange, ubhre hue, aur unki kalli nok (nipples) pehle se hi thodi akdi hui thi. Faheem ne dono haath se unko pakad liya… pehle dheere se masla… phir poori taqat se… ungliyan un kaali nokon ko noch rahi thi, ghuma rahi thi. Angha ke muh se ek dheemi siski nikal gayi – dard aur beizzati ka mix.
Faheem (hansi ke saath, aur gandi gaaliyan dete hue): "Kya gajab maal hai re tu... kitni thos aur gori chhaati hai teri. Mahina (periods) chalu hai phir bhi itni akdi hui hain... le saali, main hi pehnaunga ab tujhe naye kapde... ye poora maal ab sirf mere lund ke liye hai... choosunga, kaatunga, jhapad maarunga… tu aaj se meri kamar ke upar ki aakhiri randi ban gayi hai!"
Usne Angha ko ghuma diya… ab uski peeth uske seene se lagi hui thi. Faheem ne rassi se wo patli, cotton ki maxi utari. Pehle usne apne haathon se Angha ke nange jism ko peeche se pakda… chhaati ko zor se dabaate hue… unko upar-neeche hilate hue… jaise doodh nikal raha ho. Phir usne maxi ko Angha ke sar par se daala… dheere-dheere neeche khisakaya… maxi ka patla kapda uske nange jism par se guzra… aur poore badan par gir gaya.
Maxi itni patli aur dheeli thi ki andar kuch na pehanne ki wajah se Angha ki dono nok (nipples) poori tarah ubhar aayi thi – kapde ke upar se saaf dikh rahi thi. Faheem ne peeche se Angha ko pakad ke apne upar kheench liya… ab Angha uske saamne let gayi bed par.
Faheem uske upar chadh gaya. Uska khada hatheyaar maxi ke upar se hi Angha ke pet par zor-zor se ragad raha tha… garam, mota… andar daale bina hi bahar se r रगड़ (friction) le raha tha. Uska muh Angha ki chhaati par jhuka… pehle ek taraf jeebh se chaata… garam saans chhodi… phir zor se muh mein bhar liya… choosne laga… daant se kaatne laga… apni thook se poora kapda geela kar diya. Doosri taraf haath se masal raha tha… noch raha tha… phir dono uroj (boobs) ke beech apna hatheyaar rakh ke zor-zor se aage-peeche karne laga – kapde ke upar se hi.
Angha ki saansein phool rahi thi. Uski jagah mahine ke dard se halki si bheegi thi, par woh kuch nahi kar sakti thi. Faheem ne Angha ka haath pakad ke apne lund par rakh diya… "Haath se hila… apne naye mard ka … feel kar… kitna garam hai … kitna mota hai… teri wajah se khada hai yeh… hila raand, jaldi hila… warna teri is gori chamdi ko aur zor se kaat khaunga!"
Angha ke haath kaanp rahe the… par usne haath hilaya… upar-neeche… Faheem ke hatheyaar ko maxi ke upar se ragadne lagi. Faheem ki saansein tez ho gayin… usne Angha ke dono hisson ko ek saath pakda… unko zor se dabaate hue… kaali nokon ko muh mein leke choosne laga… kabhi daant se kaatata… kabhi zor se jhapad maarta… aur non-stop gandi gaaliyan: "Tera poora badan kal se mera… aaj sirf upar ka maal… le… le meri raand… mahine mein bhi tera poora jism mere liye hai… kal se teri asli jagah bhi meri hogi… le saali, aur zor se hila mera lund!"
5-6 minute tak yahi ganda khel chalta raha – choosna, kaatna, masalna, haath se hilwana, aur kapde ke upar se nanga naach. Maxi ab thook, paseena aur paani se poori tarah geeli aur chipchipi ho chuki thi. Angha ka jism laal ho gaya tha… kapde ke upar se hi Faheem ke daanton ke nishan the.
Aakhir mein Faheem ka jism akad gaya. Usne Angha ki dono chhaatiyon ko ek saath pakda… unke beech apna lund rakha… zor-zor se ragda… aur ek lambi, gandi cheekh ke saath… "Le raand… le meri chhinaal… poora paani le apne oopar!" … garm, gaadha, safed maal… Angha ki dono chhaatiyon par… maxi ke upar… uske gale tak… poora chhod diya. Thook aur us safed maal ka jhol Angha ke jism se tapak raha tha… uski maxi ab bilkul gandi aur geeli thi.
Faheem nashe mein seedha let gaya… aur kharaate maarne laga.
Angha leti rahi… uske jism par Faheem ka garm maal tapak raha tha… aankhon santushti ke ansu the Ek izzatdaar Constable hone ka guroor aaj is sasti kholi mein toot chuka tha... aur uski jagah ek ajeeb se, kaale nashe ne le li thi.
Zindagi bhar ek seedhe-saade mard ke saath rehne ke baad, Faheem ka ye theth, janwaro jaisa haq jatana—uske andar ki ek aisi aurat ko jaga chuka tha, jise usne saalon se daba kar rakha tha. Uska chehra ab patthar jaisa sakht nahi tha; uski saansein darr se nahi, balki ek ajeeb se thrill se tez chal rahi thi.
Usne dheere se apna kaanpta hua haath uthaya aur apni gori chhaati par Faheem ke chhode hue us garm beez par apni ungliyan pheri. Uski aankhein nashe mein aadhi band ho gayin. Usne un geeli ungliyon ko dheere se apne honthon se lagaya... aur ek pal ke liye us mardangi ke swaad ko mehsoos kiya. Uski baaki bachi-kuchi sharam bhi aaj hamesha ke liye dafan ho gayi thi. Uske hothon par ek bekhauf, shatir aur dabi hui hawas wali muskaan aa gayi.
Aaj deewar ke is paar, Faheem ke gande bistar par, ek nayi Angha paida ho chuki thi.
[BEHIND THE WALL: ]
Wahin doosri taraf... us toote hue plywood ke chhed (hole) ke theek peeche Adi ki saansein ruki hui thi.
Usne apni maa ko us darinde ke haathon is buri tarah zaleel hote, smooch hote aur nange hote dekha tha. Uski aankhein fati hui thi aur saansein dhoakni (bellow) ki tarah chal rahi thi. Ek taraf uska khoon khaul raha tha, par doosri taraf Aliya ka diya hua wo 'Dark aditya' wala zeher uske dimaag aur jism mein aag laga raha tha.
Aliya theek uske peeche khadi thi. Usne apna jism Adi ki peeth se sataya hua tha. Uske haath Adi ki t-shirt ke andar ghus kar uske seene ko sehla rahe the.
Adi chhed se aankh hataye bina, kaanpti aawaz mein fusfusaya, "Aliya... usne... usne maa ki saree utaar di... wo maa ko... chhu raha hai..."
Aliya ne uske kaan ke earlobe ko halke se daant se kata aur garam saans chhodte hue boli:
"Dekh Adi... theek se dekh. Teri Angha maa kisi aur mard ke haathon khilona ban rahi hai... aur tu yahan mere paas apni aag bujhane ke liye khada hai. Yahi tera sach hai... ab tu hamesha ke liye is andhere ka hissa ban chuka hai."
Adi ka lund uski pant faadne ko taiyaar tha. Deewar ke us paar Archana ki aatma chhalni ho rahi thi, aur is paar uska beta poori tarah se ek andhi, dark fantasy mein tabdeel (transform) ho chuka tha
.
usne Aliya ne Adi ki pant khol di… 7-inch lund bahar nikaala… aur dheere se muh mein le liya. Pura dheere , deep , laar bhara blowjob – gale tak… 8-9 second tak andar rakh ke… throat ke andar lund ko dabaati… phir bahar… uski jeebh niche se balls tak chat rahi thi.
Aliya (lund muh mein liye, garam saans chhodte hue, upar dekhte hue, Adi ko aur gandi gaaliyan sunate hue): “Dekh mera aditya… teri Angha maa… periods ke dusre din bhi… Faheem ke lund ko haath se sehla rahi thi… uske choochon par maal le rahi thi… maxi pehnte waqt bhi uske haath mein thi… aur tu yahan… teri maa ki dost ke gale mein… pura lund… kitna tight hai … kitna garam… kitna tasty tera lund dekh ke… mmmhh… tu bhi apni maa ki tarah samaprpit ban gaya hai na? Teri Angha chut ki rani… aur tu mera chooche chusne wala aditya… le… le mera muh… jhad ja saale… apni maa ke boobs par maal dekh ke jhad ja!”
Adi (baal pakad ke, kaampte hue, chhed se aankh nahi hata pa raha): “Aliya… maa… usne… maa ke boobs par… ohhh fuck… itna maal… aur aap… aap itna deep… main… main nahi rok pa raha…”
Aliya ne speed badha di – ab tez, wet, sloppy… laar tapak rahi thi… gale tak… uski aankhein Adi ki aankhon mein… jaise keh rahi ho – “Tu dekh… aur main tujhe chusungi… yahi tera naya pyar hai…”
Adi ka jism akad gaya… “Aliya… maa… Angha maa… uske choochon par… ohhhhh…” Ek lambi, gehri cheekh dabate hue… Adi ka pura maal Aliya ke gale mein… zor-zor se… woh pura pi gayi… ek bhi boond waste nahi… phir bhi lund muh mein liye dheere se chusti rahi… saaf karti rahi.
Aliya upar chadh aayi… Adi ke muh mein apna cum-laar bhara, gehra kiss kiya… aur kaan mein fusfusayi:
“Ab tu poora mera hai… teri maa Faheem ke maal se nangi leti hai… aur tu yahan mere muh mein jhadta hai… yeh raat sirf shuruaat thi… kal aur gehra hoga, mera pyara aditya-beta.”
Adi thak kar let gaya… par uske chehre par wohi andhera, gehra sukoon tha.
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